Akira will feature three distinct styles of pottery. Yakishime refers to pottery that is fired without any applied glaze. Natural ash glaze builds up on the pottery during wood firing and creates a number of wood-fired pottery effects. Kohiki is modeled after Korean Yi Dynasty ceramics and typically refers to an iron-rich clay body with white slip and then finished with a translucent glaze. Yuuyaku refers to glazed ceramic pieces and Akria uses Kakl, a persimmon or red iron glaze, Shino, a feldspar glaze originally developed in Japan and Celadon, a glaze which is white with hints of green and blue originally developed in China. Akira was born in Osaka, Japan has been living in the U.S. since 1983 In 2003 he relocated to Swannanoa, North Carolina, where he built a Japanese Kyushu-style oil kiln and a wood-fired kiln. For Akira the act of creation is a collaboration between himself, the clay and the fire. Akira has been influenced by natural events such as undulations in sand that has been moved by wind and rock formations as well as the crackle and patina of the weathered walls of ancient structures.
Lindsay Rogers was influenced by the antique pottery that surrounded her in her youth and the many hands and stories that those antique pieces had experienced. She is excited at the prospect that her work possesses this potential and her hope is that each piece she creates will stand alone as a ceramic representation of of how she interacts with the world. Lindsay began her work in ceramics in 2001 in New Haven Connecticut and was offered a residency in Natchez, Mississippi in 2005 where she worked with potter Conner Burns. She is currently working as a resident artist at the EnergyXchange in western North Carolina.
The exhibit opened on November 7th and an artist reception will take place on November 21st at 6pm. The exhibit will remain at Crimson Laurel Gallery through the end of the year. You can also see the exhibit online at www.crimsonlaurelgallery.com
Crimson Laurel Gallery
(828) 688 3599